lithuanian artist pletnev debuts on sze with 3 tracks of ethno-techno, backed with a remix from ploy. having previously released on the likes of meda fury, bahnsteig23 and le temps perdu, the &#8203,,thrown furniture ep&#8203,, sees pletnev delve into the harder-edged side of his work.
the a-side features &#8203,,her cruel smile &#8203,,and thrown furniture, &#8203,,two acid fuelled workouts with a strong rhythmic pulse and those afro-tinged samples that are fast becoming a characteristic sound of the artist. the b-side kicks off with &#8203,,my first teacher, &#8203,,a creepy and slow burning trip that gets right under the skin. rounding off the release is a remix from ploy, coming off the back of his standout eps for hemlock and hessle audio, the remix is a dive headfirst into the distinctive sludgy sound of this young artist.

following on from the massive ashley beedle remix of mama unmask me (bb26), hannah holland s batty bass imprint welcome back underground new york duo, fatherhood. the striking collaboration of michael magnan and physical therapy, who remixed the carry nation in last year s as if bb release. this 12- includes mural and choppin onions, a melting pot of styles, born from ballroom, future jungle, trippy and retro house. on remix duties, octo octa is an artist who has continued to create beautiful, forward thinking dance music. her mix is no exception, get ready for the journey.

ever throughout a long-standing chameleonic career in nightlife colleen martin has been one to challenge expectations and confidently confront boundaries. having established herself now firmly within the techno scene as lady starlight, she continues to do so on her ep for figure, presenting a statement of bold and pounding beats. ‘which one of us is me? showcases a completely intuitive approach to making music, with every track coming together as a direct stream of creativity, channeled straight into the solely analogue hardware. it imbues each composition with a strong sense of immediacy, a quality that only further intensifies the raw energy transmitted. this pure form of expression translates into a record brimming with artistic authenticity - enveloping, moving and deeply impacting.

special vinyl edition limited to 300 copies, gold-embossed sleeve, laser engraving on side b
winter, or a time which represents that season, in a metropole that appears to be moscow. the visitor is taking metro no. 6 at leninsky prospect as he is on his way to the ballroom close to gorky park. the air is icy, the sky is grey. a cat, previously hidden among the dirty snow, is crossing his way. the closer he gets to his destination, the clearer he can hear music, music that reminds him of future days. the dimly lit room is only sparsely filled. on stage a graceful singer, capturing the room with her presence. captive voices merge with chords played on yet unknown instruments machine rhythms cycle in 3/4 time. the vigorous peasant dancers, following an instinctive knowledge of the weight of fall, utilize their surplus energy to press all their strength into the proper beat of the measure, thus intensifying their personal enjoyment in dancing. here, in the transhuman ballroom, time stands still and values are being dissolved by numeric progressions. spiritually allied, the visitor, the singer and the peasant dancers short-circuit the present moment while the last falling snow slowly turns into rain. with walzerzyklus, atomtm returns to raster to complete his series that has once begun with liedgut and continued with winterreise. the 7 tracks, created in collaboration with russian singer lisokot, are subdivided into 3 pieces of 2 minutes each and 4 pieces of 3 minutes each, intentionally reflecting the 3/4 time of a classic waltz. throughout the release, lisokot’s delicate vocals are put into different relations to atomtms rather cool machine music, either complementing or contrasting each other. in the same line, the 3 shorter leitmotifs provide the main theme that is taken up repeatedly in the course of the release.

sue zukis inaugural recorded document the we are all very anxious tape is in our opinion one of the most innovative audio expeditions that has resonated with us. boldly defying and deconstructing conventional genre tropes we arent being bias by saying that either. this is a genuinely sincere perspective. the key to sue zukis music is her vocals where she misanthropically preaches the records themes of psychological alienation and despair, trapped within an augmented virtual reality. whilst trapped and unable to properly function inside this distorted simulation there are the bewildering sounds of a thousand voices and every conversation unhealthily looping inside yourre mind, through the echo chamber. manifesting into a bleak neurotic obsession and feelings of inadequacy, a desperate plea, blinded and fatigued by the unnerving glare of the computer screen, processing too much information and not knowing if the human interactions youre experiencing are genuine or artificial.

the original motion picture soundtrack from blade runner 2049 on double vinyl

three sides of music - all previously unreleased - plus a laser-etched side 4 featuring the original electric-woman-art originally included with the l.a. woman album. 180 gram double vinyl, housed in a gatefold sleeve.

dark entries is honored to release a 4-track ep by red axes, the prolific production duo of dori sadovnik and niv arzi from tel aviv. the pair were raised on a diet of post-punk, new-wave, and italo-disco at fogged out warehouse and basement parties. their own productions and remixes have appeared on labels such as i?m a clich?, correspondant, and hivern discs. ?nyx tape? features two new compositions backed with two edits from our catalog. first up is the slick electro anthem ?5 min? another collaboration with french-canadian born singer chlo? raunet aka c.a.r. followed by ?nyx tape? featuring charismatic singer-lyricist gina kikoine aka gina x, who reached out after hearing their remix of her classic single ?no gdm? that was a huge anthem on the tel aviv 80s underground scene. the track is an ecstatic dance to the rhythm in the darkness with gina?s ice cold teutonic spoken word taking creative inspiration from the jewish mourners? prayer ? the kaddish. on the b-side ?destination moon? by solid space from 1982 has been given a dancefloor makeover with moody synths and a haunting guitar line reminiscent of an adrian sherwood dub. closing this ep is a hypnotic edit of ?la machine ? r?ver? by french bedroom synth freaks x-ray pop from 1984 slowed down to a 4/4 groove that takes the original to outer space and back. all songs have been mastered for vinyl by george horn at fantasy studios in berkeley. the ep is housed in a custom made jacket that features an original collage by eloise leigh representing nyx, the greek goddess of the night. each copy included a postcard with notes and lyrics.

a tripped-out batch of hard jamming tracks from ex-mutante rita lee – recorded with assistance from all the members of the group at the time, but in a mode that’s quite different overall! lee is clearly the star of the show here – singing all lyrics with a much fiercer vocal approach than on her earlier solo album – pushing things hard to keep up with the jamming keyboards of arnaldo baptista and guitar of sergio dias – both of whom are working with the energy that would show up in the mutantes styles in the years after lee departed. one of the most compelling aspects of the record is the structure of the tunes – less conventionally rockish overall than the direction os mutantes were moving towards – and still with that strong dramatic flair that lee always provided when in the group. titles include -vamos tratar da saude-, -amor branco e preto-, -superficie do planeta-, -teimoisia-, -tapupukitipa-, -beija me amor-, and -frique como-.

• special deal
• 2xgatefold lp from les graciés
• silkscreened artwork by al white & house of traps
les graciés is a collaboration in the truest sense between paris-based sound artist gaël segalen and deepblak co-founder afrikan sciences. segalen’s experiments in electroacoustic sound met the wider world this year via a debut lp for erratum, an arresting work that showcases her ability to merge hypnotic murk ala angus maclise with the hard concréte of parmegiani & reibel. segalen’s ihearu imprint / organisation is a platform for her various doings, including psychogeographical audio works and multi-media collaborations, as well as servicing as a reference point for other contemporary female artists working across various mediums. eric douglas porter aka african sciences has been deconstructing and re-building forms of contemporary black music since the mid-2000’s, through releases on deepblak (the label he co-runs with aybee) and pan. his musical universe is one of warping cadences and celestial melody, referencing the bold work of percussionists like milford graves & art jenkins, the dissonant chords of motor city techno and stripped back essence of early chicago house matched with broken hard bop sentiments: all tied together with an aesthetic that sits somewhere between sun ra’s omniverse, jean giraud mśbius and dogon cosmology. together as le graciés, segalen and porter make a wholly unclassifiable strain of music that, while containing recognisable elements of each individual s work, also creates a third entity in the process, which can be heard to stunning effect on their forthcoming debut lp ‘low doses’ for firecracker recordings.

split ep with da hool / dj looney tune / bountyhunter

aretha franklin’s 1963 album back on audiophile clear vinyl, including 2 bonus tracks.

blondie’s self-titled debut album from 1976 back on 180 gram vinyl

all the classics from this legendary belgian label combined on this limited boxset!

after releasing records by swede axel boman, frenchman s. channel and californian sfv acid, third try records goes back to sweden and introduces the world to bella boo with her debut release, an impressive ep with an impressively mature sound for a young producer, light years away from the usual deep house tropes.

polysom brazil 180 gram vinyl lp repress import, released in 1969.
heady heady work from the legendary gal costa – caught here right at her early best, smack dab in the middle of the tropicalia years! the album’s one of gal’s legendary collaborations with arranger rogerio duprat – and it’s very much in the spirit of her other incredible session from 1969, but also features some even heavier and more tripped out guitar – in a way that really pushes the psychedelic aspect of the work! the sound here is really amazing – very fuzzy and freaky at times, in ways that make the album one of the most rocking sets of the entire tropicalia scene, but in ways that still hang onto the quirky experimental qualities of work by os mutantes or caetano veloso. gal’s vocals really rip out amazingly at times – light years away from the sweet sound of the late 70s, and more in the frenetic, urgent style you’d expect from the politically-charged scene that spawned the set. caetano veloso and gilberto gil join gal on a great version of -pais tropical-, jards macale guest stars on the classic -empty boat- – and other tracks include -tuareg-, -meu nome e gal-, -pulsars e quasars-, and -cultura e civilizaco-. essential!

• gorgeous, meditative waterbowl recordings, some the purest ambient work we’ve heard in years
• mastered by rashad becker
• photographs jens ziehe, design bartolomé sanson
• riyl philip corner, eliane radigue

musique hydromantique is the second solo album by tomoko sauvage, archiving many years of performance-based practice on the waterbowls - the natural synthesizer of her invention, composed with porcelain bowls filled with water and amplified via hydrophones (underwater microphones).

silent season tap up antenes for a rare 12inch, building on the sizable impact her last and only release on l.i.e.s. had back in 2015. here we get three trips into dark, evocative techno territory as you would expect to find on silent season, leading in with the doom-laden march of dream uncreates the land. take me to the birds (for a) ditches the drums and heads straight into the most delicate and stirring of ambient pieces, while metra train chicago 1000x- makes use of field recordings and processed static to make for an even more immersive listening experience. this is a daring release that eschews the need for functionality to take the listener somewhere else entirely.

melodies international proudly moves forward with an elusive piece of mid-tempo chicago soul originally performed by gloria j. jennings in 1977. gloria was signed to stage productions as a gospel singer with pure and raw talent she had developed in the choir of her fathers southern baptist church. she was 16 years old at the time. to tutor her for r&b vocals, willie c.

lucky number seven for good company records is the o.g.ep, roza terenzi s cheekily-titled debut. three tracks of doof-approved club gear from the perth-born melbourne resident, plus a bonus sunday-morning-coming-up megamix from vancouver s jayda g. with a sound like windham hill gone hardcore, this record promises fans from black rock to berlin. after the driving, new age electro of opener the right zone, terenzi declares yeh yeh yeh with a bush-bashing jeep of a bassline, blasting roxanne shante as the posse pile out of the whip & into the function. later, higher place sparks the chalice for a pre-dawn dip into the spirit realm. sometime after that, designated driver (and freakout cult-leader) jayda g takes the wheel, pulling into the church car park with her deep in your soul remix, a piano house kick-on of all three roza terenzi originals. feels good, right?

deep and tripping stuff from argentine producer, ana helder.. the label say: ana helder, the argentinian girl with the special twist, is back with a hand full of tracks. they are mean, dirty, harmful, amorevolous, seductive and addictive. surrender tunes from a producer and dj that does not think in boxes. for müstique she looked into her always-growing production crate and found some post-punk waving funk odes, which want more than just to dance this mess around. they bring soulful lsd-melodies for jazz lovers with techno legs that like to get high on liquid liquid. they are electronic but yet so organic. and they move deeply while spreading the feel of a meditative rest. when diagnose heard them first, he came to the idea of writing a script for a flick that tells the story of a music-making machine, which has more to offer than answers. it forms sound with no traces of reality, but is so human that humans fear it. why did he think that way? only because of what ana helder recently got to say? well, let the music play

the first lady of underground music hannah holland makes her debut on crosstown rebels with fade to me featuring her long standing collaborator, friend and fellow londoner, josh caffe. cult favourites tuff city kids aka gerd janson & philip lauer step up with a remix and dub to complete this stellar collection.

the bug kündigt mit bad feat. flowdan und get out the wa feat. killa p & irah (die erste kollaboration zwischen killa p und the bug seit skeng! vom 2008er album london zoo) seine neue aa-side 12inch an, die anfang dezember 2017 auf 12inch vinyl via ninja tune erscheint. auf bad schauen flowdan und the bug ein wenig über ihren eigenen musikalischen tellerrand: der mc bietet seine poesie in bestem singjay-style (abgeleitet von sing und jay aus deejay: dem eigentlich mc in der reggae-welt) dar und verweist somit offenkundig auf seine jamaikanische herkunft, indem er chams klassiker ghetto story zitiert und mit seiner eigenen geschichte über das aufwachsen in east london vermischt. ebenfalls für ihn eher unüblich, hat the bug den ganzen riddim aus einer durch ihn stark verfremdeten aufnahme eines einzelnen sowjetischen drumcomputers produziert und so lange an den effekten rumgeschraubt, bis der beat ordentlich rumpelte. und das wars dann auch: keine weiteren komponenten wurden hierfür verwendet. ganz ohne basslines kommt dieser track gänzlich mit vocals und beatbox allein aus so simpel und effektiv kann es manchmal gehen. get out the way ist die erste zusammenarbeit zwischen the bug und killa p, seit ihrem furiosen gemeinsamen song skeng! aus dem schon kultverdächtigen album london zoo von 2008. killa p bringt hierfür noch irah aus seiner killaz army crew mit und zusammen fallen sie über den beat her, den the bug in anlehnung an seine heißgeliebte und von junglist oder dillinja inspirierte reese bassline produziert hat. die beiden mcs üben sich im song in sachen dancefloor-zerstörung und klingen erschreckend glaubwürdig in ihren drohungen und einschüchterungsversuchen.

following a series of standout releases on stateside imprint, astral plane, e.m.m.a returns to coyote records for the first time proper with new 12-, mindmaze / pumpkin emoji . having first provided a remix on spokes inaugural ep ( green eyes ) for the label back in 2015, e.m.m.a has since kick-started her angel food radio show on nts alongside aimee cliff, and also established producer girls — a nationwide workshop initiative aimed at helping aspiring women get into music production. on mindmaze , described by e.m.m.a. herself as medieval funky and originally made as a special for mumdance on rinse fm, she pokes fun at the club, going in sample-heavy and re-fixing anthemic windows 95-era melodies over a stampeding, heavyset 4x4 beat. -this tune is a homage to the encarta 95 cd rom-, she explains. on the flip meanwhile, pumpkin emoji references the glossy, crystalline textures and lo-slung 808 bass of early e.m.m.a. gems like 2014 s light years , a potent reminder of why she remains one of the uk s most innovative and quietly rebellious club producers. tracklist: 1. mindmaze, 2. pumpkin emoji.

prelude ep is the inceptive release of oxmose, which marks the first entry in an ongoing catalogue, and the beginning of a journey with various artists. at its heart, the prelude ep is a dialogue between two composers a conversation that traces the line between abstract, electronic experimentalism and glitering interpretive jazz. parisian producer shcaa takes control of side a with core a near 20 minutes exploration into sound, which skirts the fringes of avant-garde minimalism and experimental rhythms. the songs acute cadence lays a dense and atmospheric foundation for the ep. side b sees romanian artist traian chereches offer-up an absorbing counterpoint to shcaas opener on cage. the energy of chereches rebuttal fuses organic and interpretive sounds into a deft jazz reinterpretation, revealing a wide and surprising cinematic ambience. mastered by rashad becker from dubplates & mastering berlin prelude will be released on limited edition 12inch, 180g heavyweight vinyl with an outer sleeve featuring handmade artwork created by graphic designer alice voinea.the organic materials used in her work, emphasizing the interchange of the record adding a further layer of continuity one that stretches between the artist, the music and the listener.

um sechs neue tracks erweiterte deluxe-edition des aktuellen albums der britischen hip hop-künstlerin little simz und parallele erstveröffentlichung sämtlicher 22 tracks auf vinyl (samt eines zusätzlichen mp3-bonustracks). konnte little simz auf ihrem debüt -a curious tale of trials + persons- (2015) ihre mc-qualitäten eindrucksvoll dokumentieren, was zu zahlreichen auszeichnungen und gemeinsamen auftritten mit lauryn hill führte, übertrifft sie sich auf -stillness in wonderland selbst und überzeugt mit ihrem musikalischen talent auch als produzentin und instrumentalistin. neben zahlreichen features enthält das album auch den keytrack our conversations mit dem kanadischen jazz-hip hop-trio badbadnotgood.

the visionary from detroit, terrence dixon, is back to 30d records with an exquisite pack of vanguard tastefully built on techno. this fifth chapter of the exoplanets series is powered with two original cuts and a pair of remixes.
the homonymous title track, “digital ladder”, sinks us to a hypnotic state conducted by a dreamy and evocative sequence. the big dasha rush takes over the message and reframes it getting percussive expressiveness and savoir faire on her remix.
b side starts with the second dixon’s proposal, “this is a test”. same artistic tools, different discourse, shape and result. on this track, experimentalism gets us higher with a fanciful cyclic pattern, garnished with sporadic ascensions, that streams on a subtile bassdrum. 30drop takes the relay to carry up the message to his own stylistic universe constructing a fine solid remix.
“digital ladder” is an abstract and immersive trip to some place beyond the consciousness that relies into the core of the vanguard dancefloor. you can’t miss it!

this special 20th anniversary edition of titanic is pressed on transparent 180 gram vinyl and strictly limited to 3000 individually numbered copies worldwide. includes an 8 page booklet, a poster plus a replica of the historicalnew york times newspaper frontpage.

zappa’s 1976 album back on vinyl, remastered from the original 1976 analog master.

heres an anthology dedicated to the 70s period of dolores vargas, known as the earthquake due to her wild and frenzied dancing style. in these songs, released 1970-1975, youll hear killer sound and production mixing funk, rock and pop with the powerful vocal style of the earthquake. including real gipsy-funk bombs like a la pelota anana hip or la hawaiana along with her bizarre cover version of chirpy chirpy cheep cheep and much more.

“i’m not at all sorry, now that he’s dead,
he took my cheese and ate it in my stead,
he’s punished by fate - god, you’ve avenged me.”
- aesop
“the fox and the raven” is the maiden release for denise rabe’s self titled label, conceived to be the channel thru which her personal, unfiltered, haunting sound will find it’s body and voice.
exemplifying this with the 3 cuts on “the fox and the raven”: driven, hypnotic, techno with a chasing sense of urgency, balanced with eeire lamenting melodies, perfectly fitting the tales of lore chosen to illustrate each release like a volume in an odyssey.
concluding this chapter, a limited pressing of 300 reproductions serigraphed, embossed and scented, echoing how like fables, music, occupies a tangible moment in the listeners life and space.

much may have changed over a two-decade period, but drumcode s commitment to releasing the scene s most cutting-edge and refined techno remains resolute. 2017 has already seen releases from adam beyer vs pig&dan, alan fitzpatrick, ilario alicante, julian jeweil, as well as a debut album from layton giordani. the label continues push forwards, bringing fail-safe, club-ready music to the techno community. perennial pushers of the techno envelope, dense & pika are renowned for their standout studio output that seems to constantly conjure up a particularly unique take on their distinct sound, d&p have rather outdone themselves in 2017. kicking off the year with a selection of back catalogue remixes from the likes of danny daze, scuba, slam and yotam avni that illustrated the high esteem in which d&p are held by their peers right across the spectrum, from heritage acts to current headliners and cutting edge talent, the duo have gone on to drop bomb after bomb after bomb. their universally lauded remix of tiga s louder than a bomb was the first of a run of chart topping cuts, with a remix of me & her s wild rage on jamie jones hottrax imprint and their own casino single both challenging the norm of what techno sounds like in the here and now. cooked up with a more melodic vibe and fusing elements of house and techno, dense & pika s latest outing on drumcode offers something different compared to their previous work. there is still that vintage feel to each of the tracks with analogue sounds and arrangements born and developed from experimental studio jams. indeed, suki heavily utilizes the distinct harmonic tones of the dave smith prophet 8 keyboard. while little sun - a staple of d&p performances over the last three months - delivers a more classic drumcode sound. lanky closes out the release with an infectious slab of wonderfully wonked-out raw funk

the 7 year anniversary of dame-music continues! following the well-acclaimed various artists ep earlier this year, which included tracks from boo williams, the analogue cops and milton bradley vs bloody mary, dame-music is back and proud to present its 36th release, this time inviting two very special guests to share the record with label boss bloody mary. the melting point ep marks the fusion of three renowned producers including kink, thomas p. heckmann and bloody mary. it s no secret that these three are acid lovers, and their combination on this release shows three different takes on the acid sound. both kink and thomas p. heckmann need no introduction. bloody mary has followed their music for many years and the melting point ep marks the coming together of mary with two of her most respected acid producers, all on the one record. dame-music promises all three tracks will damage the dancefloor each in their own way, just be sure to play them loud. over the past 7 years, dame-music has shaped its identity by continuously releasing a distinct blend of techno and house music. 2018 shows no signs of slowing down, stay tuned!

there are tracks that only deploy their full meaning when pumping through the speakers of a dark club. to give shelter to the latter, hivern kick starts a new series of vinyl-only splits dedicated to club-ready cuts by artists in our orbit. to launch the series, we count with both a well-known hivern stalwart and a new addition to the label. side a is dedicated to cel avall , a track that has been hidden in marc pinol s vaults for way too many years. with it s slow pace and direct but hypnotic feel, it sounds as if one of the pioneers of the first wave of chicago house had spent a night dancing to danielle baldelli at the cosmic club. in the b-side, aurora 2 , by norwegian producer charlotte bendiks, also has something of the rawness and minimalism of the first chicago sound. a perpetually fresh energy that, combined with her nonchalant vocal phrasings, provides the track with her distinctive blend of darkness, sensuality and cheekiness. the visual concept of the series has been developed by london based design studio dr.me

25th anniversary edition of paul simon’s legendary album “graceland”.

a four track vinyl sampler of the new compilation series from crosstown rebels, allow us to introduce spirits. label founder damian lazarus has compiled what he describes as “a fresh psychedelic journey into the mind”, aiming to bring together a collection of new artists from both his imprints. opening up is audiojack’s ‘reverie’, a heavy kick from the start is succeeded by spoken word on the subject of meditation sets the scene appropriately. dubspeeka’s ‘lyssa’ is next up with a sturdy bassline, eerie synths and a haunting melody reminiscent of yesteryear. on the flip and alice rose seduces in ‘another way’ produced by raw district. her voice, similar to that of bjork, perfectly encompasses the heavy bassline and hard-hitting percussion.finally ‘be mine’ by siopis featuring ellbee bad gets straight into the action with hard-hitting reverberated low notes, steadily building up through sentimental vocals and enticing synthesis

you may know aretha franklins scintillating one step ahead from its vital role in the oscar-winning movie moonlight. you may also know it as providing the beautifully melancholic backdrop for mos defs 1999 hit ms fat booty. the inaugural be with 7inch is a special one indeed, containing the first ever officially licensed reissue of arethas all-time deep soul classic. one step ahead was not included on any of her columbia studio albums, and remains one of her rarest releases. on the flip, i cant wait until i see my babys face is a thrilling, goosebump-inducing killer and an unfairly slept-on rendition of this eternal track. the single comes housed in a custom printed full-colour company sleeve and is limited to just 1000 copies

new release by django djangos own kick+clap label. 12inch comes with a generic kick + clap sleeve with white inner sleeve. your wife is the first track to be set free from rebecca taylor, under her new solo guise self esteem. impeccably produced by django djangos dave mclean, the track been greeted by high praise by fans and critics alike drawing influence from her the dark and light within her own life, and her experiences in an indie band in the music industry for 10 years. an electro-pop jam diy balanced between empowerment and vulnerability, your wife is an emphatic opening statement. clash magnificent the line of best fit

catherine ringer needs no introduction. shes the woman who created an inimitable, genre-defying personality who, along with her group les rita mitsouko, had a huge effect on the french pop music scene in the 80s right through to the noughties. in may 2011, she released her first proper solo album, ringn roll. ringer took the magic of ritas roots but towards something with a more music-hall leaning at its core. after a breath-taking dalliance in plaza francia alongside two founding members of gotan project, whereby she stepped into the shoes of a tango dancer, oozing elegance and sensuality, catherine is now back with a second album, chroniques et fantaisies.

as the cab passed by, the two stars collided with an enormous energy flash. for a few seconds, the galaxy fell dark and silent. but a, has barely noticed anything. her heart was full of music, and her body, full of love.
blorp is here again, ready to take you away and melt your soul. on board, serious a, a charming parisian astronaut with a crafted signature sound you’ll fall in love with and never forget.

matilda releases her first vinyl. it is a big occasion. we are pleased to present our artist from japan. happy listening.

at night, things get a lot more unpredictable. a stranger can become a friend, you suddenly become intimate with a woman or a man whos name you will never find out, while darkness also allows you to conceal your true identity - even become someone else. inspiration for this album emanates from the fascination towards the intensity of what nightlife has to offer , euphoria and melancholy, spotlights or incognito, sexual contact or lonely voyeurism... francois x entertains the listener with playful ambiguity and unsettling, yet sensual atmospheres.

with its sixth release new york trax continues the mission of highlighting the jewels of the new york underground. liquid asset is a philadelphia-born brooklyn-based hardware virtuoso who has made a name for herself by virtue of appearances on labels such as e-saggila s summer isle brooklyn s own primitive languages jacktone and acid etch where she has recently delivered a furious 7- split with isabella. liquid asset built her own 808 and 303 clones by hand. the modified 303 is particularly audible in the opening track of the record -ephemeral nights- where she did not waste time on an intro and went straight to creating a sonic pandemonium by blending an airhorn sound with frenzy acid basslines and a hardcore-leaning 909 kick. -contact- is a merciless creature of the night with its relentless dark groove building up throughout this composition cannot easily be classified as a representation of any particular genre. -controlperception- opens the b side. here liquid asset plays with a cheerful acid line over a dreamy landscape often punctured with bleeping sounds. finally in -forgetmenot- two opposite sounding basslines intertwine creating a minimal yet very capturing composition to close this one of a kind record.

the remixs: pointsman – we dont know who he is but he provide a deep big room monster.
tripmastaz - probably the only funky russian you will ever meet. the only russian artist with releases on cocoon, minus, desolat, cadenza. the only russian artist with 4 vinyl labels. hes funky housey remix is the most faithful of the four.
bpmf – schmer label head provides a grimey and noisey big bottom soviet style jam.
steve stoll - nyc acid legend made a hard banging acid tracer.
in 1996 serotonin label heads selway and szostek went to moscow to perform at the invitation of &#1055,&#1058,&#1070,&#1063, magazine. synapse performed at the -waterclub- and met the legendary dj compass vrubell. they went to his -studio- where he had perfected the art of making entire tracks out patterns on the yamaha dx-5. szostek brought a dat of these jams back to nyc and schmer-003 dj rx-5 -a taste for crap- was released as a small run white label in 97. the run sold out and disappeared to be forgotten forever... until 2016 szostek casually mentions its existence to techno uber-nerd nina kraviz who just had to have it for her -fabric 91- cd. so dj rx-5 was back from the ash heap of history and schmer got a new release from him on schmer07. then schmer got the word out far and wide that they d like a remix ep for two of the originals: compass provided stems because like a miracle he still had the patterns after 20 years. heeding the call were pointsman, tripmastaz, steve stoll and schmer s own bpmf. so this is what you get: -a taste for remix-. it will leave your lips wanting more, for sure!

not waving’s computer-acid-pop magnum opus after acclaimed animals lp in 2016
• featuring a vocal contribution from marie davidson on where are we (watch the video here - http://bit.ly/2jhrpxe)
• mastered and cut by matt colton. artwork by guy featherstone
• riyl fad gadget, john bender, smersh, lcd soundsystem

wiederveröffentlichung: hedonistischer french-house-klassiker von 2002. hinter den supermen lovers versteckt sich keine band, sondern ein house-projekt von guillaume atlan, einem aus paris stammenden komponisten und produzenten. bevor er dieses im jahr 2000 ins leben rief, studierte atlan klassische musik und war keyboarder in mehreren acid-jazz-bands. als supermännerliebender landete er schon 2001 zum start seiner karriere als house-meister mit dem funky dance-track -starlight- einen gigantischen erfolg in den clubs und vielen europäischen charts!

‘utopia’ is the ninth studio album from the iconic artist björk, out november 24th via one little indian records. the album s artwork was created in collaboration of m/m, jesse kanda and james merry and reflects the records sonic direction, optimism, lightness, utopia. of the album she explained to dazed this summer that, ““maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, if we don’t have the dream, we’re just not gonna change. especially now, this kind of dream is an emergency.” björk wrote, produced and recorded the album between reykjavik and new york, working closely with arca and writing for, conducting and recruiting a thirteen piece flute orchestra which will be on the road with her next year.
double heavyweight lp in gatefold sleeve with mp3 download card included.

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,,,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival – the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

hanna is the soundtrack album to the 2011 british-german thriller film of the same name, directed by joe wright. the film stars saoirse ronan as the title character, a girl raised in the wilderness of northern finland by her father, an ex-cia operative (eric bana), who trains her as an assassin. cate blanchett is a senior cia agent who tries to track down and eliminate the girl and her father.
the original score was composed by the british pioneers of big beat the chemical brothers, who had 6 number 1 albums and 13 top 20 singles in the uk. nme ranked the album at number 54 in their list of the -61 of the greatest film soundtracks-.
the soundtrack of hanna was nominated for multiple awards and eventually won an alliance of women film journalists award in the category -best film music or score- and a los angeles film critics association award for -best music-.
limited first pressing of 1500 numbered copies on transparent red 180 gram vinyl.